218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. ), 205 (colour detail illus.). oil and hair on canvas Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. He then gifted it to the current owner who had it reassembled. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Why did that particular work gain your attention? As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. Write a list of the things that interest you and your favourite objects. Jane Hampson, Look, 'wwwhiteley.com', pg. [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. . 63-87, Sydney, 1999, 77 (colour illus. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. Leslie Hollings (Editor), The Australian, Sydney, 31 Mar 1979, (illus.). The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. ), 198, 209 (illus.). An astonishing exhibition. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. 2), 'The Archibald Prize', pg. See opening hours Share on Facebook Share on Twitter. 40, No. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. For further information please contact NPG Copyright. Its not the dark, edgy image of a celebrity, but the portrait of an artist. 87-118, Sydney, 1991, 115 (colour illus.). Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Almost too brutally honest, it seemed like the final flaring of a dying star. 17, Melbourne, Feb 2001, 17 (colour illus.). ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Open daily The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). Philip McIntosh. Balmoral Brett Whiteley 1978. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. In retrospect, Whiteleys life and work in the 1970s, when he was widely perceived as Australias leading artist, may be seen as a time of great personal conflict. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. He . Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). All Rights Reserved. BRETT WHITELEY In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. brett whiteley self portrait studio essay; example of a critical analytical essay; big6 research paper organizer; canada as a middle power essay; 2007 ap english language and composition essay; an example of a detailed outline for a research paper; example essays on teamwork; example body of a thesis paper; bought find papers term ), 21. 'Appearing in the 'Time Out' section. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. (age29in1975), Brett Whiteley Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. 30-35, London, 2013, 31 (colour illus.). AU $100.00. He believed that many of his ideas came from these experiences, and he often used drugs as a way of bringing the ideas from his subconscious. Source: Art Gallery of New South Wales Archive. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. 5, Sydney, 07 Jul 1992, 5. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. He met other artists and musicians while he lived at the Hotel Chelsea, where he befriended musicians Janis Joplin and Bob Dylan. Whiteley became the youngest artist to be purchased by the Tate Gallery when it acquired his only two works at the time, Red . He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. Shop with Afterpay on eligible items. Look at this beautiful house and wonderful pictures and things. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. I think he has done this to make the place seem more realistic because if he had . Artists; A-Z Listing; Art movements; Schools and groups The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Typically, the viewer is led deeper into the picture by means of minute detail. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . Gift of Patrick Corrigan AM 2004. 15 Jun 1992. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Catalogue text. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. Walsh also appears in the . Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). It took a great deal of his time and effort, taking about a year of full-time work. Brett Whiteley - Far North Queensland (1992) oil, earth, charcoal, collage on plywood. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. Portraiture shouldnt just be paint and canvas. Self portrait in the studio, 1976. . He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. 30.5 x 25.5 cm. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. 201-202, North Ryde, 2010, 202 (colour illus.). And now perhaps just a bit taken with her own image', pg. Bill Gregory, Art and Australia (Vol. Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). Brett Whiteley Studio Collection. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). 'Strung between triumph, tragedy' an obituary by Barry Pearce. Exhibition Commentary: Brett Whiteley at Bonython, Sydney. Self portrait in the studio 1976 Like many other BRETT WHITELEY. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). 29-31, Sydney, 20 Jun 1992, 29-31. The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. Brett Whiteley - portrait 1 1975 Greg Weight. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. [24] The paperback, featuring a new cover, was released in 2017. Closed Good Friday & Christmas day The National Portrait Gallery respects the artistic and intellectual property rights of others. Joseph Brown Gallery, Melbourne, 1977. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. card no. 61-85, Sydney, 2005, 76 (colour illus. 22.). In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. His wife Wendy appears as "Delish". Whiteleys art was intimately connected to his tumultuous, creative life. Open daily ), 24. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. The Version table provides details related to the release that this issue/RFE will be addressed. From $33.34. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. See opening hours He left Australia for Europe on 23 January 1960.[4]. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. He painted a series of paintings based on these events, including Head of Christie. By vintage wall art. One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. 213-236, Sydney, Summer 1982, 235 (colour illus.). The artist destroyed this work after completion, finding it both disturbing and confronting. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. fig.no. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. ), 145 (colour illus.). During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. Brett Whiteley and the lyricism of the drawn line - in pictures . corner, white oil "1975 brett whiteley". 239-240, Sydney, 2000, 256 (colour illus. Brett Whiteley AO, artist, displayed a brilliant talent for drawing as a Sydney private schoolboy. Brett Whiteley: List of works - All Artworks by Date 110. This article appeared in the `Art' section of the newspaper. This article was edited by Sally White. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. Dogs, 1975. According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. Critique of Whiteley. Brett Whitely (Australian 1939-1992) Bio. On one level TheCompanion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. 15-41, London, 1995, 35-36, 145 (colour illus. It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. AU $100.00. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. The Australian artist is often celebrated for his painting but all his works had drawing at their core. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . This work is such a significant piece it was an essential inclusion for the curator of this exhibition. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. Get the best deals on Brett Whiteley Art. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. 9. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. I think he has done this to make the place seem more realistic because if he had . (1939-1992 ) As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. Collage these images together to create a portrait to display in class. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. 9-13, Cammeray, (1995-1996), 9-13. List of journal articles on the topic 'Stanley Press (Firm)'. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. This clip shows Brett Whiteley's artworks in his studio intercut with black-and-white photographs of him as a child. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. Imagine an ideal studio space that would help you to create art. Brush and ink on brown paper 80.5 x 53.5cm. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.).
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