Tobias Campos Santinaque Sad to say but Judith Weir's sixth opera is an embarrassment. Judith Weir. Julian Hepple. To book tickets visit:. Charlotte Antingham Joshua Saunders And yet the characters are archetypes who grovel in the dirt of clich. Hassan, a kebab seller Florian Panzieri (28 Feb & 4 Mar), Innocent Masuku (2 & 7 Mar) This new co-production receives its UK premiere in March 2012. Judith Weir. At least that was Weirs intention - to be relevant and in touch. She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. Allegra Totaro-Wainwright, Assistant Scenic Artists Yes, Tom Pye's design was beautiful, but stylised beyond the world of the circumstantial it could have accommodated any opera from Parsifal to Madama Butterfly. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. This was followed by a further three full-length operas The Vanishing Bridegroom (1990), Blond Eckbert (1994), the latter commissioned by the English National Opera[14] and Miss Fortune (Achterbahn) (2011). Find Judith Weir stock photos and editorial news pictures from Getty Images. The helicopter view: Opera Europa's Nicholas Payne, At the helm of the aircraft carrier: The Royal Opera's Oliver Mears, Raising the curtain: Jacquelyn Stucker on building momentum and opera's digital challenge, Meeting the Maestro: in conversation with Fabio Luisi, Spring and summer in Prague: your musical guide, Koen entrances the Rudolfinum with Martin miniatures, Lucid in music and narrative: ENO and Richard Jones, David is a co-founder of Bachtrack. Thus assured, they hurl themselves down with even greater animation. Miss Fortune in name and deed. Born: 11 May 1954, United Kingdom Died: NA Country most active: United Kingdom Also known as: NA Judith Weir was born into a Scottish family in 1954, but grew up near London. Aina Miyagi Magnell Either way, it makes a good spectacle. [2] See something missing? What drew you to composition? The kebab shop and the breakdancers are great, but Tom Pyes sets have much more: giant, mirror-smooth geometric structures are brightly lit in primary colours and turned by video effects into a shifting industrial landscape, all set against a plain screen background lit with vividly coloured gradients. WEI. She has a large catalogue of performed works to her name, which will silence any who doubt her considerable gifts, especially vocal. 4 - Julia Kleitner, Royal Concertgebouw Orchestra/Gatti, A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD, ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON, Edward Seckerson talks to RENE FLEMING about The Light in the Piazza, A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies, A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope, A Conversation With VICTORIA WOOD: New TV drama, Loving Miss Hatto, A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentiers Medea, GRAMOPHONE Review: Shostakovich Symphony No. Judith Weir - Miss Fortune [Achterbahn] (2011) - YouTube 0:00 / 1:23:43 Judith Weir - Miss Fortune [Achterbahn] (2011) 2,550 views Oct 17, 2015 Digital broadcast from BBC Radio 3 .more. Is there another way?" So I arrived at Miss Fortune without any real idea of what I was going to get. Paula Guerra Judith Weir Biography Recordings Related Composers Judith Weir was born into a Scottish family in 1954, but grew up near London. The most recent opera is Miss Fortune, premiered at Bregenz in . Book Only. Judith Weir. Mae Weir wedi ysgrifennu sawl opera llwyddiannus, gan gynnwys The Black Spider (1985), A Night at the Chinese Opera (1987), Blond Eckbert (1994) a Miss Fortune (2011). Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. The evening began with a compelling staging of Menottis frothy score, a romantic two-hander with music somewhere between Broadway and Italian verismo and first performed in the UK at the Aldwych Theatre in 1948. Tiago Costa What drew me was finding something that would bring my performing friends together. Nina Lim Judith Weir (b1954 in Cambridge, England) first studied composition with a few lessons from John Tavener during her schooldays in London. RGT Birthdays today Did the huge generic trapezium in the middle of the stage represent the dizzying moral precipice over which we mortals all too often hurl ourselves, especially in the name of making opera? Applying that usage, it has had many "adventures" over the years and the discard pile is high. Ensemble. Sad to say but Judith Weir's sixth opera is an embarrassment. I hope that does not mean more trapeziums, please. The banality of the text follows the banality of the narrative, and the music doesn't rise above it. . Judith Weir's most recent major work is her opera Miss Fortune, which received its first performances on July 21, 2011 at the Bregenz Festival, directed by Chen Shi-Zheng and designed by Tom Pye. She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. Miss Fortune (band), an American band Miss Fortune (album), a 2002 album by Allison Moorer Miss Fortune, an opera composed by Judith Weir "Miss Fortune", an episode of Ghost Whisperer "Miss Fortune", a song from the album Distance Inbetween by The Coral Miss Fortune, a character from the video game League of Legends See also [ edit] Winter Song. But this time round, it seemed even more relevant than to pay onstage attention to this subject. Interview by She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Next year, George Benjamin's commission Written on Skin will enter the fray and Harrison Birtwistle's The Minotaur a tale of loneliness with a furious but poetic score which was unquestionably a success is revived. Tina, their daughter Erin Gwyn Rossington (28 Feb & 4 Mar), Cleo Lee McGowan (2 & 7 Mar) The opera reworks a Sicilian folktale as a contemporary parable. Years ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. When the curtain rose on the UK premiere of Judith Weir's. Emma Bell, singing the title role perched five metres up on a rocky plinth, only now revealed that she was scared of heights. On 21 July 2011, her first opera for 17 years, Miss Fortune (Achterbahn), premiered at the Bregenz Festival in Austria. As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including Forest, Storm and We are Shadows) which were premiered by the orchestras then Music Director, Simon Rattle. And the greatest irony of all Miss Fortune wins the lottery. Sad to say but Judith Weirs sixth opera is an embarrassment. In some ways I feel I've seen the piece for the first time, in a staging (by Martin Lloyd-Evans) which very closely expressed my intentions when I first imagined it. Frustration, frivolity and humour were all brilliantly served with a ready spontaneity that, with the chamber orchestras crisp playing, made this a delightful hors doeuvres for the darker humour of the evenings main event. I decided to use the tale as a basis for a new opera. Published by Chester Music (HL.14035701). Set within Bayview Developments, an exclusive estate agents (where clients are assured of no social housing) we meet the sales girl and chatterbox Lucy, Segomotso Shupinyaneng, and the ever-patient and earnest Ben, Jonathan Eyers. What a waste of talent and resources. As far as one could tell, Paul Daniel conducted a good performance. Miss Fortune. Miss Fortune in name and deed. Public transport Austria, the Netherlands, Belgium and the USA. The once-rich little heroine, dogged by cruel Fate, becomes a low-wage earner cue sweatshops, ironing boards, an imploding fast-food van. Originally intended as a curtain-raiser for Menottis The Medium, the worksalternative title,LAmour trois, refers to the rival claims of a telephone that incessantly interrupts Bens attempts to propose marriage to Lucy before he catches his train. Lady Fortune Amy Holyland (28 Feb & 4 Mar), Laura Fleur (2 & 7 Mar) Giulia Lussoso But Weir creates much variety of timbre and a fair degree of potency throughout. But this time round, it seemed even more relevant than to pay onstage attention to this subject. Stamatia Tsaroucha [13], The American premiere of Miss Fortune was originally planned in 2011 by the Santa Fe Opera to be a part of its 2014 season, but it was announced in the summer of 2012 that the opera was to be replaced by the North American premiere of Huang Ruo's Dr. Sun Yat-sen.[22]. In January 2008, over fifty of her works were performed during 'Telling The Tale', a three-day retrospective of her music, hosted by the BBC Symphony Orchestra at the Barbican Centre, London. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012. Where Weirs orchestral writing is full and rich, the vocal parts are for the most part agile and harsh. Rodrigues Stanley Olden, Scenic Art Co-ordinator The spare orchestration, full of scurrying chromatics, often glistening string writing and crisply atmospheric percussion, including piano, was potentially attractive and melodic, though its variety was mostly lost in the ROH auditorium. Lydia Haynes Hoodies and drug dealing delineate subsequent reversal of fortune for Tina whose seamstress colleagues (vocally in fine fettle) provided an opportunity for some highly effective choreography. Welsh National Opera's Youth Opera were due to perform Weir's opera The Black Spider in Spring 2020 but due to unforeseen circumstances, performances were cancelled. The subject of this piece was inspired by the Barbican building itself she describes it as 'an imaginary excavation of the Barbican Centre, burrowing through 2,500 years of historical rubble'. Her struggles are closely shadowed by Fate sung by counter-tenor Kieron-Connor Valentine. OPERA NEWS, COMMENTARY, AND REVIEWS FROM AROUND THE WORLD. In January 2008, Weir was the focus of the BBC's annual composer weekend at the Barbican Centre in London. Germany, Austria, the Netherlands, Belgium and the USA. For Guildhall School performances please use the Guildhall School entrance on Silk Street. Jack Garner-Greene [12], Weir's musical language is fairly conservative, with a "knack of making simple musical ideas appear freshly mysterious". Despite the layoff since summer, the staging soon exuded a dance-like motion we hadn't seen before. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Austria, the Netherlands, Belgium and the USA. [15] Weir's commissioned works most notably include woman.life.song (2000) for Jessye Norman and We are Shadows (1999) for Simon Rattle. In a stunning setting and scenery to rival these beautiful surroundings, Miss Fortune, the work of British composer Judith Weir, retraces the twisted steps of its bewildered female protagonist. Lady Fortune - Kathryn Harries. [13] Gerhard R. Koch, writing in the Frankfurter Allgemeine newspaper on 25 July, had these observations: Miss Fortune moved to London in March 2012, garnering at least two negative reviews. Strahinja Mitrovic, Clarinet Barbican Meanwhile, the Chorus are a vital presence, losing all their money in the opening scene, only to reappear in increasingly direr straits. R. 70. A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. The work should not have been put on the Royal Opera House stage without rigorous overhaul, especially in a staging so crassly bare and wide open that the voices were left stranded, good singers reduced to reedy insubstantiality, the slim drama robbed of focus. Judith Weirsoperais a story aboutTinaand how her life dramaticallychanges course overnight; it is a story aboutfateand fortune. . Whether were in the initial scene of the casting of our heroines horoscope, the various pieces of mayhem that envelop her or the poetic aubade sung by kebab-shop owner Hassan: the music is overlaid by urgent stridency. Now based in London, she has had a long association with Spitalfields Music Festival; and has taught as a visiting professor at Princeton, Harvard and Cardiff universities. The most recent opera is Miss Fortune, premiered at Bregenz in . 10 Orchestre National du Capitole de Toulouse/Sokhiev, GRAMOPHONE Review: Sounds of America Jon Manasse, Park Avenue Chamber Orchestra/Bernard, GRAMOPHONE Review: Rachmaninov Symphony No. [13] Her first stage work, The Black Spider, was a one-act opera which was premiered in Canterbury in 1985 loosely based on the short novel of the same name by Jeremias Gotthelf. The darker side of the "alienating effects of modern urban life" (as designer Anna Reid's programme note summarises both operas) are explored in Judith Weir's Miss Fortune (2011) based on a Sicilian folk story and dramatising a serious reversal of fortune and circumstances as its punning title implies, through the personified figure of fate. In: Press release from The Santa Fe Opera, 22 August 2012. Two days after this premiere, the Royal Opera House announced the 2012/2013 new season and defended contemporary work as adventure, not measured by normal standards of success. Judith Weir is a composer who, despite a huge body of work that ranges from grand operas to piano concertos to songs for children, has never sought the limelight. Indeed it has. Judith Weir CBE (born 1954) [1] is a British composer and the first female Master of the Queen's Music. Yn aml mae . And the greatest irony of all - Miss Fortune wins the lottery. Use tab to navigate through the menu items. Phil Sizer, Staff Production Manager She was commissioned to compose an a cappella work for the state funeral of Elizabeth II on 19 September 2022, and wrote a setting of Psalm 42, "Like as the hart".[17]. Select from premium Judith Weir of the highest quality. Josephine Lockwood Judith Weir was born into a Scottish family in 1954, but grew up near London. Enter your email address to receive notifications of new posts by email. Weir was born in Cambridge, England, to Scottish parents. What doesnt change, at least in the 53 minute first act, is her accenting: the music is continually using devices to ratchet up the tension - chromatics, diminished and augmented chords. Also known as Achterbahn (rollercoaster), this apt allegory on fate - and the control we have over our own lives - delivers a timely update on the Italian folk tale Sfortuna. [10] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh. Leif Tse, Repetiteurs Judith Weir is a Honorary Patron for Sound and Music. Judith Weir was born into a Scottish family in 1954, but grew up near London. Discover Judith Weir sheet music on nkoda.Find 133 Judith Weir pieces from leading publishers on the greatest digital sheet music library. At the time, I was writing a chorus number called We Didn't See It Coming. The opera touches on many things relevant to modern life - the banking crisis, unemployment, sweatshop working conditions, the choice between money and love - but it doesnt have anything significant to say about any of them. She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. YouTube Encyclopedic. A chance lottery win enables her escape from poverty, and like all good fairy tales, she goes off into the sunset with the handsome prince, Jack Holton whose paean to a freshly laundered shirt made one of the few amusing moments. I loved the witty set (designer, Anna Reid) a luxury housing development, with a big sign outside promising "No social housing", something I'm all too familiar with as a local resident to the Vauxhall-Nine Elms "transformation". The orchestral music also seemed much bolder and more colourful under Dominic Wheeler's direction, and in the hands of GSMD's vivid student orchestra. Charlie Broad Get discounted access to unmissable art, See more art, music, film and theatre for less, Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. If you dont harbour too many expectations of a thought-provoking story, its worth going to see for the staging alone. Judith Weir CBE is a British composer and Master of the Queen's Music. BBC Radio 3. Photograph: Tristram Kenton for the Guardian. In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). Albery's production allows the opera to speak for itself, although sluggish pacing in the pit detract from the musical merits of this revival. Violetta Suvini* 4 booking fee per online/phone transaction. Had Kieron-Connor Valentines Fate been more malevolent his encounters with Erin Gwyn Rossingtons Tina would have had more emotional impact. Austria, the Netherlands, Belgium and the USA. Its probably not a good idea to come to Miss Fortune looking either for deep meaning or for authentic folktale. As associate composer with the BBC Singers (2015-19) she completed two oratorios; In the Land of Uz, about the prophet Job; and blue hills beyond blue hills, to Zen-influenced verse by the Scottish poet Alan Spence. 559. Christos Maltezos* Josh Law Right next to it was the ubiquitous fingers-crossed Lottery sign with its jaunty "Play here!" Issy Jordan Judith Weir's Miss Fortune is an entertaining night out. [21] Andrew Clements wrote in The Guardian of "a long two hours in the opera house" with scenes that "follow like cartoonish tableaux, without real characterisation, or confrontation, and without suggesting a dramatic shape", and also criticised the "twee rhyming couplets and inert blank verse" of Weir's libretto. Now in her 50s, she is too experienced, too knowledgable about the bloodied history of most operatic endeavour to have expected to get off lightly. I registered a faint sense that my opera plot was already out on the street, but I didn't think all the detail it contained the violent destruction of property, the collapse of the middle class would soon become true as well. She studied with . From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. In a face-off between Gabriele Viviani's Scarpia and Malin Bystrms Tosca in this solid revival of Jonathan Kent's 2006 production, there could only be one winner. Photo:Judith Weir. This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) was born into a Scottish family in 1954, but grew up near London. 024 IN 2. Booking fees are per transaction and not per ticket. No fee when tickets are booked in person. Not something you often come across in opera. In 2008, as I began writing, I walked past a sandwich board bearing the headline: "Blind panic as shares crash." 2010-2023 Bachtrack Ltd. All rights reserved. . Never should the final authority be taken away from the composer, but a question might stimulate a rethink. Judith Weir CBE (born 1954) is a British composer and the first female Master of the Queen's Music. Look out for the paean to the perfectly laundered shirt sung by Simon (the excellent Jacques Imbrailo), which is a moment of pure comic genius. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Shana Moron-Caravel Kosta Popovic Judith Weir Judith Weir was born into a Scottish family in 1954, but grew up near London. Last year's Bregenz staging, the work's world premiere, was an opportunity to take strong action. Hassan - Noah Stewart Hugo Haag, Cello Called Miss Fortune, the story is about money, fate and fortune. Yn ogystal, mae'n gyfansoddwr o ddarnau cerddorfaol a lleisiol, gan gynnwys Concerto i'r Piano (1997), The Welcome Arrival of Rain (2001), ac In the Land of Uz (2017). During this time she began to write a series of operas (including King Haralds Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. Gounod's Faust from the Opra Bastille, Paris. In collaboration with director Margaret Williams, Weir has created several opera films, including Scipios Dream, Hello Dolly, and Armida. Commissioned byBregenzFestival and the RoyalOperaHouse and premiered in 2011,Miss Fortuneis a contemporary re-telling of a Sicilian folk story. But with few exceptions Weir has created cardboard characters that neither claim our attention nor engage our sympathy. Vanessa Lingham, Stage Management Supervisor In food terms this was a programme comprising starter and main course, a well-designed menu beginning with a romantic comedy and followed by a picaresque meditation on fate with much to nourish the ears, eyes and mind. During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. Caroline Moores, Head of Recording & Audio Visual Popularly known as the Musician of United Kingdom. Holly Woods Weir is a warmly admired composer, modest in manner but gritty in ambition, as anyone in her field has to be first to achieve, second to survive. Called Miss Fortune, the story is about money, fate and fortune. King Harald's Saga, Grand opera in three acts for unaccompanied solo soprano singing eight rles (based on the saga 'Heimskringla' by Snorri Sturlson, 1179-1241) is a monodrama by Judith Weir, commissioned by Jane Manning and premiered on 17 May 1979. And did the previous orchestra really play that F-natural all last summer and we never noticed? Start your Independent Premium subscription today. [8] In May 2015, Weir won The Ivors Classical Music Award at the Ivor Novello Awards. Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Sad to say but Judith Weirs sixth opera is an embarrassment. Miss Fortune is a reinvention of a Sicilian folk tale in which the comfortable life of Tina (Erin Gwyn Rossington), the wealthy daughter of Lord and Lady Fortune (Jacob Harrison and Amy Holyland), nosedives after a financial catastrophe. The Silk Street Theatre, Music Hall and Lecture Recital Room arelocated in the main Guildhall School building on Silk Streetand for Barbican produced events the venuecan also be accessed from the Barbican if you exit via the doors next to Barbican Kitchen on Level G. Address For more access information, please visit ourAccessibilitysection. In this role she has written music for national and royal occasions, including the Queens 90th birthday celebrations and the UKs official commemoration of the 1918 Armistice. Manon Ogwen Parry full of truisms and clunky metaphors and for all its images of deprivation and violent disorder is about as streetwise as a visitor from Venus. Joana Praa* He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. The Royal Opera promise a feast for the eyes and dont disappoint. Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal . Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office. A strong ROH2 schedule includes premieres by Scott Walker, Huw Watkins and Stuart MacRae in a season that will offer "fresh and interesting angles on the art form". Justin Anderson The clarity of the costume design made the characters instantly knowable, too: a stroppy teenager, a lady from a launderette, a positive-thinking businessman these types look the same anywhere. Judith Weir, Miss Fortune, Royal Opera, 12 March 2012 (British premiere) A member of Soul Mavericks Images: Royal Opera/Bill Cooper: Royal Opera House. Alan Ewing as Lord Fortune, Emma Bell as Tina and Kathryn Harries as Lady Fortune in the Royal Opera's production of Judith Weir's Miss Fortune. The score was published by Novello in 1982, and lasts under ten minutes, making it one of the shortest operas, and is possibly unique in having . Biography Weir was born in Cambridge, England, to Scottish parents. The Vanishing Bridegroom and Miss Fortune. Her most recent opera, Miss Fortune, which opened in 2012, was . Georgia Lloyd* Asked to fall to the ground in terror at news of an approaching financial disaster, they ask, "Like in Idomeneo?" Only Anne-Marie Owens's Donna, who runs a launderette, and Hassan the kebab-van owner, beautifully sung by Noah Stewart (the closest we get to beefcake), show signs of humanity. Silver Tassie Operas. Throughout the opera, in an impressive piece of singing, counter-tenor Andrew Watts sings a discordant overlay over the other music, reminding everyone that he is all-powerful and capricious. Beri Valentine, Stage Management Props Supervisor [16], The first public performance of Weir's arrangement of "God Save the Queen" was performed at the reburial of King Richard III at Leicester Cathedral on 26 March 2015. Silk Street Theatre, Guildhall School of Music & Drama, London; Monday 28th February 2022. A short 90 minutes of music later, Im still not entirely sure what it is Ive just seen. Both portrayals were wonderfully convincing musically and dramatically, each singer having an easy stage presence and voices that hold the ear with roundness of tone and crystal-clear diction. Queasy chromatic scales rising and falling in the trombones is as close as we get to the dark happenings on the street. Judith Weir. But I personally have been feeling thoroughly revived after. Above all, I felt justified in having written the opera in the first place. In 1987, her first half-length opera, A Night at the Chinese Opera, was premiered at Kent Opera. Meanwhile, the cast plunged into the nitty-gritty ("Four steps to the left, take the glass from Kathryn, turn "). Opera: Voices & Orchestra. Kosuke Shirai Presented byGuildhall School of Music & Drama. Jos Hita Garca* Judith Weir Miss FortuneLord Fortune Jacob Harrison, Lady Fortune Amy Holyland, Tina Erin Gwyn Rossington, Fate Kieron-Connor Valentine, Hassan Florian Panzieri, Donna Laura Fleur, Simon Jack Holton; Director Martin Lloyd-Evans, Conductor Dominic Wheeler, Designer Anna Reid, Lighting Anthony Doran, GSMD Orchestra. But now that the Royal Opera House's chorus has taken over, the opera seems to have moved into 3D. The upper floor of The Telephones split staging neatly morphed into Miss Fortunes roof top balcony where Harrison and Holyland made their mark as the nouveau riche parents of Tina.
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